British archaeologist and Egyptologist Howard Carter along with his sponsor, Lord Carnarvon, spent many years and a lot of money searching for a tomb in Egypt's Valley of the Kings that they weren't sure still existed. But on November 4, 1922, they found it. Carter had discovered not just an unknown ancient Egyptian tomb, but one that had lain nearly undisturbed for over 3,000 years. What lay within King Tut's tomb astounded the world.
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Carter and Carnarvon
Carter had worked in Egypt for 31 years before he found King Tut's tomb. He had begun his career in Egypt at age 17, using his artistic talents to copy wall scenes and inscriptions. Eight years later (in 1899), Carter was appointed the Inspector-General of Monuments in Upper Egypt. In 1905, Carter resigned from this job and in 1907, went to work for Lord Carnarvon.
George Edward Stanhope Molyneux Herbert, the fifth Earl of Carnarvon, loved to race around in the newly invented automobile. But an auto accident in 1901 left him in ill health. Vulnerable to the damp English winter, Lord Carnarvon began spending winters in Egypt in 1903. To pass the time, he took up archaeology as a hobby. Turning up nothing but a mummified cat (still in its coffin) his first season, Lord Carnarvon decided to hire someone knowledgeable for the succeeding seasons. For this, he hired Howard Carter.
The Long Search
After several relatively successful seasons working together, World War I brought a near halt to their work in Egypt. Yet, by the fall of 1917, Carter and Lord Carnarvon began excavating in earnest in the Valley of the Kings.
Carter stated that there were several pieces of evidence already found—a faience cup, a piece of gold foil, and a cache of funerary items which all bore the name of Tutankhamun—that convinced him that the tomb of King Tut was still to be found. Carter also believed that the locations of these items pointed to a specific area where they might find King Tutankhamun's tomb. Carter was determined to systematically search this area by excavating down to the bedrock.
Besides some ancient workmen's huts at the foot of the tomb of Rameses VI and 13 calcite jars at the entrance to the tomb of Merenptah, Carter did not have much to show after five years of excavating in the Valley of the Kings. Thus, Lord Carnarvon decided to stop the search. After a discussion with Carter, Carnarvon relented and agreed to one last season.
One Final Season
By November 1, 1922, Carter began his final season working in the Valley of the Kings by having his workers expose the ancient workmen's huts at the base of the tomb of Rameses VI. After exposing and documenting the huts, Carter and his workmen began to excavate the ground beneath them.
By the fourth day of work, they had found something—a step that had been cut into the rock.
Steps
Work feverishly continued on the afternoon of November 4 through the following morning. By late afternoon on November 5, 12 stairs leading down were revealed; and in front of them, stood the upper portion of a blocked entrance. Carter searched the plastered door for a name. But of the seals that could be read, he found only the impressions of the royal necropolis. Carter was extremely excited, writing:
'The design was certainly of the Eighteenth Dynasty. Could it be the tomb of a noble buried here by royal consent? Was it a royal cache, a hiding-place to which a mummy and its equipment had been removed for safety? Or was it actually the tomb of the king for whom I had spent so many years in search?'
Telling Carnarvon
To protect the find, Carter had his workmen fill in the stairs, covering them so that none were showing. While several of Carter's most trusted workmen stood guard, Carter left to make preparations. The first of which was contacting Lord Carnarvon in England to share the news of the find.
On November 6, two days after finding the first step, Carter sent a cable: 'At last have made wonderful discovery in Valley; a magnificent tomb with seals intact; re-covered same for your arrival; congratulations.'
The Sealed Door
It was nearly three weeks after finding the first step that Carter was able to proceed. On November 23, Lord Carnarvon and his daughter, Lady Evelyn Herbert, arrived in Luxor. The following day, the workers had again cleared the staircase, now exposing all 16 of its steps and the full face of the sealed doorway.
Now Carter found what he could not see before since the bottom of the doorway had still been covered with rubble: There were several seals on the bottom of the door with Tutankhamun's name on them.
Now that the door was fully exposed, they noticed that the upper left of the doorway had been broken through, presumably by tomb robbers, and resealed. The tomb was not intact, yet the fact that the tomb had been resealed showed that the tomb had not been emptied.
The Passageway
On the morning of November 25, the sealed doorway was photographed and the seals noted. Then the door was removed. A passageway emerged from the darkness, filled to the top with limestone chips.
Upon closer examination, Carter could tell that tomb robbers had dug a hole through the upper left section of the passageway. (The hole had been refilled in antiquity with larger, darker rocks than used for the rest of the fill.)
This meant that the tomb had probably been raided twice in antiquity. The first time was within a few years of the king's burial and before there was a sealed door and fill in the passageway. (Scattered objects were found under the fill.) The second time, the robbers had to dig through the fill and could escape only with smaller items.
By the following afternoon, the fill along the 26-foot-long passageway had been cleared away to expose another sealed door, almost identical to the first. Again, there were signs that a hole had been made in the doorway and resealed.
'Everywhere the Glint of Gold'
Tension mounted. If anything was left inside, it would be a discovery of a lifetime for Carter. If the tomb was relatively intact, it would be something the world had never seen. Carter wrote:
'With trembling hands I made a tiny breach in the upper left-hand corner. Darkness and blank space, as far as an iron testing-rod could reach, showed that whatever lay beyond was empty, and not filled like the passage we had just cleared. Candle tests were applied as a precaution against possible foul gases, and then, widening the hold a little, I inserted the candle and peered in, Lord Carnarvon, Lady Evelyn and Callender standing anxiously beside me to hear the verdict. At first I could see nothing, the hot air escaping from the chamber causing the candle flame to flicker, but presently, as my eyes grew accustomed to the light, details of the room within emerged slowly from the mist, strange animals, statues, and gold—everywhere the glint of gold. For the moment—an eternity it must have seemed to the others standing by—I was struck dumb with amazement, and when Lord Carnarvon, unable to stand the suspense any longer, inquired anxiously, 'Can you see anything?' it was all I could do to get out the words, 'Yes, wonderful things.'
The next morning, the plastered door was photographed and the seals documented. Then the door came down, revealing the Antechamber. The wall opposite the entrance wall was piled nearly to the ceiling with boxes, chairs, couches, and so much more—most of them gold—in 'organized chaos.'
On the right wall stood two life-size statues of the king, facing each other as if to protect the sealed entrance that was between them. This sealed door also showed signs of being broken into and resealed, but this time the robbers had entered in the bottom middle of the door.
To the left of the door from the passageway lay a tangle of parts from several dismantled chariots.
As Carter and the others spent time looking at the room and its contents, they noticed another sealed door behind the couches on the far wall. This sealed door also had a hole in it, but unlike the others, the hole had not been resealed. Carefully, they crawled under the couch and shone their light.
The Annexe
In this room (later called the Annexe), everything was in disarray. Carter theorized that officials had attempted to straighten up the Antechamber after the robbers had plundered, but they had made no attempt to straighten the Annexe.
He wrote:
'I think the discovery of this second chamber, with its crowded contents, had a somewhat sobering effect on us. Excitement had gripped us hitherto, and given us no pause for thought, but now for the first time we began to realize what a prodigious task we had in front of us, and what a responsibility it entailed. This was no ordinary find, to be disposed of in a normal season's work; nor was there any precedent to show us how to handle it. The thing was outside all experience, bewildering, and for the moment it seemed as though there were more to be done than any human agency could accomplish.'
Documenting and Preserving the Artifacts
Before the entrance between the two statues in the Antechamber could be opened, the items in the Antechamber needed to be removed or risk damage to them from flying debris, dust, and movement.
Documentation and preservation of each item was a monumental task. Carter realized that this project was larger than he could handle alone, thus he asked for and received help from a large number of specialists.
To begin the clearing process, each item was photographed in situ, both with an assigned number and without. Then, a sketch and description of each item were made on correspondingly numbered record cards. Next, the item was noted on a ground plan of the tomb (only for the Antechamber).
Carter and his team had to be extremely careful when attempting to remove any of the objects. Since many of the items were in extremely delicate states (such as beaded sandals in which the threading had disintegrated, leaving only beads held together by 3,000 years of habit), many items needed immediate treatment, such as a celluloid spray, to keep the items intact for removal.
Moving the items also proved a challenge. Carter wrote of it,
'Clearing the objects from the Antechamber was like playing a gigantic game of spillikins. So crowded were they that it was a matter of extreme difficulty to move one without running serious risk of damaging others, and in some cases they were so inextricably tangled that an elaborate system of props and supports had to be devised to hold one object or group of objects in place while another was being removed. At such times life was a nightmare.'
When an item was successfully removed, it was placed upon a stretcher and gauze and other bandages were wrapped around the item to protect it for removal. Once a number of stretchers were filled, a team of people would carefully pick them up and move them out of the tomb.
As soon as they exited the tomb with the stretchers, they were greeted by hundreds of tourists and reporters who waited for them at the top. Since word had spread quickly around the world about the tomb, the popularity of the site was excessive. Every time someone came out of the tomb, cameras would go off.
The trail of stretchers was taken to the conservation laboratory, located at some distance away in the tomb of Seti II. Carter had appropriated this tomb to serve as a conservation laboratory, photographic studio, carpenter's shop (to make the boxes needed to ship the objects), and a storeroom. Carter allotted tomb No. 55 as a darkroom.
The items, after conservation and documentation, were very carefully packed into crates and sent by rail to Cairo.
It took Carter and his team seven weeks to clear the Antechamber. On Feb. 17, 1923, they began dismantling the sealed door between the statues.
The Burial Chamber
The inside of the Burial Chamber was almost completely filled with a large shrine over 16 feet long, 10 feet wide, and 9 feet tall. The walls of the shrine were made of gilded wood inlaid with brilliant blue porcelain.
Unlike the rest of the tomb, upon which the walls had been left as rough-cut rock (unsmoothed and unplastered), the walls of the Burial Chamber (excluding the ceiling) were covered with gypsum plaster and painted yellow. Funeral scenes were painted on these yellow walls.
On the ground around the shrine were a number of items, including portions of two broken necklaces, which looked as if they had been dropped by robbers, and magic oars 'to ferry the king's barque [boat] across the waters of the Nether World.'
To take apart and examine the shrine, Carter had to first demolish the partition wall between the Antechamber and the Burial Chamber. Still, there was not much room between the three remaining walls and the shrine.
As Carter and his team worked to disassemble the shrine they found that this was merely the outer shrine, with four shrines in total. Each section of the shrines weighed up to half a ton. In the small confines of the Burial Chamber, work was difficult and uncomfortable.
When the fourth shrine was disassembled, the king's sarcophagus was revealed. The sarcophagus was yellow and made out of a single block of quartzite. The lid did not match the rest of the sarcophagus and had been cracked in the middle during antiquity (an attempt had been made to cover the crack by filling it with gypsum).
When the heavy lid was lifted, a gilded wooden coffin was revealed. The coffin was in a distinctly human shape and was 7 feet 4 inches long.
Opening the Coffin
A year and a half later, they were ready to lift the lid of the coffin. Conservation work of other objects already removed from the tomb had taken precedence. Thus, the anticipation of what lay beneath was extreme.
Inside, they found another, smaller coffin. The lifting of the lid of the second coffin revealed a third one, made entirely of gold. On top of this third, and final, coffin was a dark material that had once been liquid and poured over the coffin from the hands to the ankles. The liquid had hardened over the years and firmly stuck the third coffin to the bottom of the second. The thick residue had to be removed with heat and hammering. Then the lid of the third coffin was raised.
At last, the royal mummy of Tutankhamun was revealed. It had been over 3,300 years since a human being had seen the king's remains. This was the first royal Egyptian mummy that had been found untouched since his burial. Carter and the others hoped King Tutankhamun's mummy would reveal a large amount of knowledge about ancient Egyptian burial customs.
Though it was still an unprecedented find, Carter and his team were dismayed to learn that the liquid poured on the mummy had done a great deal of damage. The linen wrappings of the mummy could not be unwrapped as hoped, but instead had to be removed in large chunks.
Many of the items found within the wrappings had also been damaged, and some were almost completely disintegrated. Carter and his team found over 150 items on the mummy—almost all of them gold—including amulets, bracelets, collars, rings, and daggers.
The autopsy on the mummy found that Tutankhamun had been about 5 feet 5 1/8 inches tall and had died around age 18. Certain evidence also attributed Tutankhamun's death to murder.
The Treasury
On the right wall of the Burial Chamber was an entrance into a storeroom, now known as the Treasury. The Treasury, like the Antechamber, was filled with items including many boxes and model boats.
Most notable in this room was the large gilded canopic shrine. Inside the gilded shrine was the canopic chest made out of a single block of calcite. Inside the canopic chest were the four canopic jars, each in the shape of an Egyptian coffin and elaborately decorated, holding the pharaoh's embalmed organs: liver, lungs, stomach, and intestines.
Also discovered in the Treasury were two small coffins found in a simple, undecorated wooden box. Inside these two coffins were the mummies of two premature fetuses. It is hypothesized that these were Tutankhamun's children. (Tutankhamun is not known to have had any surviving children.)
World Famous Discovery
The discovery of King Tut's tomb in November 1922 created an obsession around the world. Daily updates of the find were demanded. Masses of mail and telegrams deluged Carter and his associates.
Hundreds of tourists waited outside the tomb for a peek. Hundreds more people tried to use their influential friends and acquaintances to get a tour of the tomb, which caused a great hindrance to work in the tomb and endangered the artifacts. Ancient Egyptian style clothes quickly hit the markets and appeared in fashion magazines. Even architecture was affected when Egyptian designs were copied into modern buildings.
The Curse
The rumors and excitement over the discovery became especially acute when Lord Carnarvon became suddenly ill from an infected mosquito bite on his cheek (he had accidentally aggravated it while shaving). On April 5, 1923, just a week after the bite, Lord Carnarvon died.
Carnarvon's death gave fuel to the idea that there was a curse associated with King Tut's tomb.
Immortality Through Fame
In all, it took Carter and his colleagues 10 years to document and clear out Tutankhamun's tomb. After Carter completed his work at the tomb in 1932, he began to write a six-volume definitive work, 'A Report Upon the Tomb of Tut 'ankh Amun.' Carter died before he was able to finish, passing away at his home Kensington, London, on March 2, 1939.
The mysteries of the young pharaoh's tomb live on: As recently as March 2016, radar scans indicated that there may yet be hidden chambers not yet opened within King Tut's tomb.
Ironically, Tutankhamun, whose obscurity during his own time allowed his tomb to be forgotten, has now become one of the most well-known pharaohs of ancient Egypt. Having traveled around the world as part of an exhibit, King Tut's body once again rests in his tomb in the Valley of the Kings.
Sources
- Carter, Howard. The Tomb of Tutankhamen. E.P. Dutton, 1972.
- Frayling, Christopher. The Face of Tutankhamun. Boston: Faber and Faber, 1992.
- Reeves, Nicholas. The Complete Tutankhamun: The King, the Tomb, the Royal Treasure. London: Thames and Hudson Ltd., 1990.
Editor: Thames & Hudson
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Tells the story of the boy-king, and describes his burial, the quest for his tomb, the riches found there, and the legendary curse
The Complete Tutankhamun
Editor: Thames & Hudson
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Tells the story of the boy-king, and describes his burial at the height of Egyptian civilization, the quest for his tomb, the riches found there, and the Pharaoh's curse
Editor: Marshall Cavendish
ISBN: 9780761455585
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'Using research that includes the artifacts in King Tutankhamun's tomb, Demi shares the rich details of the king's life, from ostrich and lion hunts, to the challenges of ruling his Kingdom.'--Amazon.com.
Building Bridges Of Time Places And People
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Mysteries associated with ancient Egypt are not confined to the pyramids of Giza. For example, consider these: • One Egyptian hieroglyph is patterned after a bird known as the jabiru; another is an image of a saguaro cactus. Both the jabiru and the saguaro are found only in the Western Hemisphere, so how did they become hieroglyphs? • Tutankhamen is referred to as the “boy-king” by Egyptologists. Why then were statues found in the tomb portraits of a young woman? • Hatshepsut is said to have been a female pharaoh who reigned for 22 years but then disappeared from the scene. What happened to her? And why was her image expunged from the walls of temples? • Senenmut, a favorite of Hatshepsut, wrote that he “had access to all the writings of the prophets”. Which prophets did he mean? • Why does the face of the mummy of Ramesses II not match the statues of this great pharaoh? Also, why did the embalmers remove the stomach and place the heart on the right side of the thorax? And why were diced tobacco leaves from the Western Hemisphere used to line the chest cavity? • Why was Yuya, supposedly the father of the great Queen Tiy, buried with three coffins while his wife had only two? Moreover, why did the mask that covered his face, along with the face on the innermost coffin, look totally different from the mummy and from each other? • Death masks were found not just in Egypt but in Greece as well. The most famous of these came from grave # 5 at Mycenae. Each eye of this gold mask has double eyelids. In addition, like the Sphinx at Giza and the Shroud of Turin, the left eye is higher than the right and the mouth is not centered. How can such similarities be explained? • Turning to Italy, on the underside of the right wrist of the Prima Porta statue of Augustus there is the distinct impression of the head of a spike. According to historians this statue depicts the first emperor of Rome, but what if it is instead a portrait of a man who was crucified? These mysteries, along with many others, are examined in detail and then convincingly explained in this first of two volumes to explore crucial links between Egypt, Israel, Greece and Italy.
Editor: Simon and Schuster
ISBN: 1591438594
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Shows how a desecrated tomb in the Valley of the Kings holds the key to the true history of the destruction of Atlantis • Reveals that Tomb 55 in the Valley of the Kings was designed not to keep intruders out, but to trap something inside • Provides forensic evidence proving that the mask believed to be the face of Tutankhamun is actually that of his elder brother Smenkhkare In Atlantis and the Ten Plagues of Egypt, Graham Phillips explores the excavation of a mysterious and ritually desecrated tomb in the Valley of the Kings, Tomb 55, which he contends holds the key to the true history of the destruction of Atlantis. Unlike other Egyptian tombs designed to keep intruders out, Tomb 55 was constructed to keep something imprisoned within, specifically Smenkhkare, the older brother of Tutankhamun who was deemed responsible for the ten plagues in Egyptian history, to prevent such tragedies from ever happening again. The forensic findings from this tomb coupled with compelling new evidence from the polar ice caps provide sensational evidence that the parting of the Red Sea, the deaths of the first born, and the other plagues that afflicted Egypt were all actual historical events. Core samples from the polar ice caps indicate that a gigantic volcanic eruption took place in the eastern Mediterranean around the time of Amonhotep’s reign. Other research suggests this to have been the time of the eruption that destroyed the Greek island of Thera, one of the likely locations of Atlantis, and that the subsequent cataclysm may explain the unusual lack of resistance to the new religion installed by Amonhotep’s son, Akhenaten, when he took power several years later.
The Mysterious Death Of Tutankhamun
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Unravelling one of the ancient world's most infamous deaths... In this illuminating non-fiction account of the life and death of Tutankhamun, Paul Doherty tells the story of the bloody intrigue behind the iconic mask. Colour photographs are also included. Perfect for fans of Nicholas Reeves and the ITV series Tutankhamun. Egypt's most famous king died at the age of eighteen, and in the three thousand years since his death, the fabulous treasure buried with the young ruler has become as famous as his name. It has long been assumed that Tutankhamun died of natural causes, yet his hurried burial, first in a virtually unmarked grave, suggests there may have been an attempt, or plot, to conceal the evidence of fatal head wounds. Behind King Tut's calm death mask, Doherty uncovers a turbulent tale of bloody intrigues at the Egyptian court, most of them pointing to the possibility of murder. The powerful cabal that ran the court and governed the country might have had young Tutankhamun assassinated; or he might have been killed at the instruction of the imperious first minister, Ay, who sought to seize the pharaonic crown for himself. And what role did the beautiful Ankhesenamun, Ay's granddaughter and Tutankhamun's queen, play in the labyrinthine courtly scheming? Coupling modern research with the original testimony of Howard Carter, the archaeologist who discovered Tutankhamun's tomb, Doherty reconstructs a scenario of the king's short reign as illuminating as the revelations regarding his sudden, mysterious death are fascinating. What readers are saying about Paul Doherty: 'An interesting, thoughtful view on what might have happened to the boy-king' 'Doherty proves that he is a scholar as well as a writer of novels' 'This book offers new clues and highlights the intrigue [of the] Egyptian court'
Editor: Simon and Schuster
ISBN: 1591438632
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Reveals the common origins of the ancient Egyptian and Mayan civilizations. • Shows how these cultures had the ability to gaze into the heavens to predict the future unfolding of humanity and their place within the cosmic order. • The author's revelations about the Freemasons' connection to this ancient knowledge generated a firestorm of controversy in Europe. • By the author of the bestseller The Mayan Prophecies. Maurice Cotterell's background as a scientist, mathematician, and engineer helped him to decipher the code of the ancient Maya, revealing the mystery of their science and religion to an extent never before possible. Using the same techniques, the author turns his attention here to deciphering the secrets encoded within the tomb of Tutankhamun. His extensive research revealed that both the ancient Egyptians and the Maya possessed a sophisticated understanding of sun spot activity and other astronomical phenomena--facts recently confirmed by modern science. Knowledge of the connections between solar patterns and human destiny allowed the Egyptians and Maya to harness the energy generated by the sun to achieve spiritual enlightenment and soul growth. The link between reincarnation and solar energy encoded in the tombs of Tutankhamun and the Mayan Lord Pacal is a jealously guarded secret held by a select number of occult groups, including the higher orders of Freemasonry. The author unleashed a firestorm of controversy in Europe when he exposed much of the esoteric knowledge of the Freemasons, including one of the society's most carefully concealed secrets: incarnate gods like Lord Pacal and Tutankhamun have come to earth to help humans achieve spiritual enlightenment, soul growth, and individual realization as solar beings.
The Enigmatic Netherworld Books Of The Solar Osirian Unity
Editor: Saint-Paul
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Editor: Crown
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An engrossing biography of the longest-reigning female pharaoh in Ancient Egypt and the story of her audacious rise to power. Hatshepsut—the daughter of a general who usurped Egypt's throne—was expected to bear the sons who would legitimize the reign of her father’s family. Her failure to produce a male heir, however, paved the way for her improbable rule as a cross-dressing king. At just over twenty, Hatshepsut out-maneuvered the mother of Thutmose III, the infant king, for a seat on the throne, and ascended to the rank of pharaoh. Shrewdly operating the levers of power to emerge as Egypt's second female pharaoh, Hatshepsut was a master strategist, cloaking her political power plays in the veil of piety and sexual reinvention. She successfully negotiated a path from the royal nursery to the very pinnacle of authority, and her reign saw one of Ancient Egypt’s most prolific building periods. Constructing a rich narrative history using the artifacts that remain, noted Egyptologist Kara Cooney offers a remarkable interpretation of how Hatshepsut rapidly but methodically consolidated power—and why she fell from public favor just as quickly. The Woman Who Would Be King traces the unconventional life of an almost-forgotten pharaoh and explores our complicated reactions to women in power.
Ancient Egypt
Nicholas Reeves Egypt
Editor: Scholastic Inc.
ISBN: 9780590896443
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